What Is A Short Story? ~ guest post by Geoff Hoff
January 12, 2010 by Guest Blogger Geoff Hoff
Filed under Blog, Short Stories
What is a Short Story?
Short stories are a glorious art form.
Now that I have that out of the way, let’s start talking about them behind their back. I’ve been asked on occasion what defines a short story, and what do all short stories have in common. The answer to that second question may seem flippant, but it is heartfelt. The only thing they all have in common is a beginning, middle and end.
To enhance that answer, short stories are so varied, you can approach them from so many angles, that is, quite literally, the only thing they have in common. To go even more deeply, even the beginning, middle and end can look different in different stories. Some of my favorite stories are experimental, nontraditional or “non-linear.” The beginning can happen in the middle. The ending can be so vague as to seem non-existent, or can swing back to the beginning. Richard A. Lupoff’s 12:01 PM has several beginnings, including the end. This is one of the things I love about short stories, about story telling in general, actually, that they can be so varied and unexpected.
What defines short stories also requires a flippant sounding answer: It is a story that is shorter than a novel or a novella. How short is up to many different standards. Some say anything less than 9,000 words. Some say anything less than 20,000. Some, less than 7,000. Some even call a story shorter than 1,000 a “short short” but I think that’s making a distinction that is entirely too fine for any practical purpose besides academia, which isn’t usually very practical at all.
Ernest Hemmingway famously won a bet by creating a short story with only six words: “For sale. Baby shoes. Never worn.” I shiver every time I read that one, and it always makes me think.
Most, but not all short stories have a limited number of characters. Shirley Jackson’s wonderfully dark The Lottery, however, definitely a short story, has well over ten characters, most of them fairly well developed. It does, of course, only have one location. Most, but not all, short stories have a limited number of locations. Kipling’s classic Man Who Would Be King has several, unless you consider all of India one location. Some have defined short stories as those that have only one or a few conflicts in them, or a single plot. Delany’s award-winning Time Considered as a Helix of Semi-Precious Stones has more complications and plot turns than some novels, although some call it a novelette, which, I suppose, is somewhere between a short story and a novella.
So what, exactly, is a short story? That is up to the individual writer, reader, editor or publication to decide in their own, quirky, individual way. I could be coy and say it doesn’t matter, just read them and get on with your day, but I’m much too polite to give such a response.
I like to think of them as more of a narrative sketch or study than a full painting or sculpture, more a bagatelle or caprice than a symphony or opera, more an annoying list of similes than a full-blown crazy-making analysis. This is, of course, also insufficient. The sketches of Dürer or Michelangelo are much more detailed and complete than the sculptures of Picasso or the paintings of Mondrian, so even my annoying similes don’t quite hit the mark.
Even so, thinking of short stories as more like sketches of events than novels (or even novellas) is as useful a distinction as any. The characters and locations will be more sketches of people and place than would be necessary in a novel. Communicating a central point or idea is more important than delving into specifics.
Now that we have cleared up the mystery, or, perhaps, laid more mud on it, I say go read one, then get on with your day. Read two, they’re short.
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Geoff Hoff is a best-selling author and also writes how-to writing guides.
With his writing partner, he will be giving an on-line course, “You Can Write a Short Story” that starts Thursday, January 14th. http://www.TipsOnWriting.net/class
Apply the code WRITELIFE at checkout for $20 off the price of registration.
Learn more about the craft of writing from Geoff and his writing partner, Steve Mancini, at their Tips on Writing blog http://www.TipsOnWriting.net/blog
Nice write Geoff. I like your writing style. It has a nice flow to it.
Regards
Shane
Geoff … great post. I grew up reading short stories. I loved to read authors that had both novels and short stores. I felt their short stories were appetizers for their novels.
Shane, thank you!
Sheila – I first discovered Orson Scott Card, one of my favorite SF writers, from his short stories in Omni Magazine. I also love writers who do both well.
I enjoyed this, thanks for writing it. I’d like to add a tuppence if I may? I think short stories have to work harder than novels in one respect; they have to give the reader a satisfying experience with less words to play with than a novel.
My short stories usually arrive at the end at the 2,500 word mark. That’s not planned, it seems to be a natural length for the ones I have written so far. I also write “flash” fiction of 1000 words or less, and that feels different to the other shorts again. Both feel so very different to novel writing (at least in my experience) but all three have improved my skills in the other.
Another great thing about short stories is that they force us to be tight writers. No flab, no waffle. And that, I have found, improves novel writing too.
I, too, write short stories including “flash” fiction of 1000 words or less.
I’ve always tended to think of a tapestry when thinking about short stories.
The whole picture of a tapestry divided into regions. Pick a region and find what that part of the picture depicts. It stands on it’s own, and when one pulls back and peers at the piece, that region becomes part of the whole.
Short stories are not just stories that are short. They tell so much–in a tighter space, yes–and add to the tapestry.
Emma,
Loved your tuppence. I personally get a little uncomfortable when someone says, this one is harder than that one, but I do know what you mean. My short stories are very varied in length but I do like the economy required in their creation.
I haven’t written “flash” fiction, as you call it, for many years, but I remember it being a very satisfying exercise. Well, I take that back. I just this last week did the WritersDigest Prompt story, which is 400 words or less. It was great fun, and I had to really say what I meant in far fewer words and still make it communicate. (I tend to be verbose, have you noticed?)
Marisa,
The image of a tapestry is interesting to me. It reminds me of a hologram, a “laser photo”. If you shatter one, every shard will have the whole image on it, only with less detail as the shards get smaller. I love the holographic way to look at things, that every part exposes the whole, but have never thought of it specifically in terms of short stories.
One thing I love about reading (and writing) short stories is the sparseness yet richness of detail. Evoking a full experience with very few words. If you analyze The Secret Life of Walter Mitty, there isn’t much specific detail at all, yet you know everything, experience everything as he does.
Great post! As an avid reader, I can say that writers “feed” me everyday. Geoff, I always enjoy your writing. You are so entertaining!
Thank you Martha. I blush.
Geoff, an informative post that made me smile – a good combination for a Monday morning. Thank you!
And Debra, so much helpful information and inspiration here! I’ll be back.
Jane